
Exhibit: In Between Places
by Ju Yun
On View: January 21 - March 20, 2022, Vulcan Gallery, W-16
Ju Yun was born and raised in Korea before immigrating to the United States of America, creating a sense of a hybrid identity within her life and artwork. Her work reflects the transition between traditional Korean art to contemporary subjects and methods using cultural imagery and iconography, and rich layers of colors. Yun continues to navigate the concept of a dual identity in her most recent work by creating layered compositions of polymer clay, found and recycled objects to physically change an object with a preexisting identity into something else.
For purchase inquiries, please contact Workhouse Exhibits Coordinator – Audrey Miller audreymiller@workhousearts.org
Ju Yun
Brief description of exhibition
The Workhouse Arts Center is proud to present In-Between Places, a solo exhibition by Ju Yun. Ju Yun was born and raised in Korea before immigrating to the United States of America, creating a sense of a hybrid identity within her life and artwork. Her work reflects the transition between traditional Korean art to contemporary subjects and methods using cultural imagery and iconography and rich layers of colors. Yun continues to navigate the concept of a dual identity in her most recent work by creating layered compositions of paint, polymer clay, found and recycled objects to physically change an object with a preexisting identity into something else.
Artist Statement
I was born and raised in South Korea before immigrating to United State of America. I am constantly reminded of how it feels to be between two polarizing worlds. Transitioning between traditional Korean art and wholly contemporary subjects and methods embraced within that in-between space, I often find a sense of spirituality and a great source of creativity.
My earlier work shows rich layers of colors. Inside the visual space of the picture, the line can exist absolutely as its own epitome. At the same time, my idiosyncratic approach and nod towards western formalism is also entirely modern in tone.
Moving to another country and having to take on and adapt to a different culture and lifestyle can also impact on personal identity. I explore this various aspect of hybrid identity which I am investigating through my mask projects that layered compositions of polymer clay and found objects to make art and changing something that already has an identity into something else and that something else influence others.
After Summer Rain, 2000
Oil, 36 in x 48 in, $3,000
Arirang, 2021
Mixed Media, 24 in x 36 in, $3,000
Exploded Identity,2021
Mixed Media, 18 in x 24 in, $3,000
Homesickness, 2021
Mixed Media, 24 in x 36 in, $3,000
Memory of the Festival, 2021
Mixed Media, 24 in x 48 in, $3,000
Messages, 2020
Oil, 24 in x 24 in, $3,000
Mountain Friends I, 2021
Polymer Clay, oil paint, 26 in x 26 in, $3,000
Mountain Friends lI, 2021
Polymer Clay, oil paint, 26 in x 26 in, $3,000
My Friend Allison, 2022
Mixed Media, 52 in x 60 in, $3,000
My Passage, 2022
Polymer Clay, Mixed Media, 48 in x 60 in, $4,500
Oh My Guardian God, 2022
Mixed Media, 24 in x 36 in, $3,000
Once Upon a Time, 2021
Oil, 18 in x 24 in, $2,000
Over the Clouds, 2020
Mixed Media and black light, 24 in x 24 in, $3,000
Seven Tigers and a Goblin, 2021
Mixed media and black light, 50 in x 120 in, $9,000
Summer Sweet, 2019
Oil, 36 in x 48 in, $3,000
The Holy Argument, 2000
Oil, 36 in x 36 in, $4,000
The Holy Table, 2000
Oil, 36 in x 72 in, $5,000
The Revolution of Yellow, 2021
Mixed media and black light, 24 in x 108 in, $4,000
Twelve Visitors from the East, 2018
Oil, 487 in x 108 in, NFS
For purchase inquiries, please contact Workhouse Exhibits Coordinator – Audrey Miller audreymiller@workhousearts.org